The map can therefore be understood as a “storytelling stimulator” (Caquard). Map 1 provides a framework for a series of stories waiting to be told, and Map 2 reframes those stories as a series of reflections on our olfactory-stimulated memories of place. Regarding collective narrative as a narrative written and shared by many people, this work uses a series of smells as the shared experience and the map’s conventions to stimulate memory and imagination. The overall process can be summarised thus:īrief Contextualizations: Art Cartography as Collective Narrative: The secondary stage of this project (Map 2) was to find a way to communicate and present the sticky notes resulting from the initial exhibition. ![]() I had a limited time frame of fourteen days for research, development, design, and installation. The initial research was in response to a call for a small exhibition to showcase the range of MFA visual communication research projects at Edinburgh College of Art where I was studying. I discovered during the course of my research that these smell notes frequently form their own micro-narratives of smell perception. The works ask the viewer to ascribe their personal associations to the selected, representative scents for each of the cities, and to note individual smell associations on single sticky notes. ![]() As a creator of six smell maps, with a further two maps currently underway, I exhibit the interactive, participatory installations internationally in galleries, museums, festivals, and visitor centres. I investigate how smell, in particular, can be used to comprehend our immediate environment and to generate memories of a specific place. I theorised that this would open up a new world where cities worldwide are linked through individual experiences rekindled through smell memories, creating a new map.Īs a sensory researcher and designer, I am interested in communicating links between sensory perception and urban environments in the form of sensory maps, stimulating and provoking emotional connections with place, inspired by the more playful approaches of psychogeography. Would the sense of smell conjure involuntary memories, relocating sniffers from one place to another location altogether? I asked the visitors to wander through a variety of city locations by smelling one or more smells that I captured and bottled. I selected the map as a theoretical psychogeography framework and as a visual device to geo-spatially locate a collection of odours. ![]() In 2010 I created a virtual dérive of bottled smells and a traditional map (with a deliberately limited visual lexicon) and then elicited and recorded visitor responses (Map 1). This note investigates the role of smell in our city experience with a specific focus on personal links formed among smell, location, and emotion. Human olfactory experience and perception of cities is often shared at the source of the smell but diverse in the places to which those smells transport the smeller.
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