Shades of yellow are a great choice if you want to convey warmth and joy. Your choice of color is the final piece in your lifestyle logo puzzle. Script fonts can be used to express your likeability and intimate nature. Popular YouTube lifestyle stars are using a text-only logo that uses a bold script font. To create an icon for your channel, you need to determine the main topics (keywords) of your channel. If your channel is still growing, an icon or image can be used to communicate your personality and subject of choice. Their name has become synonymous with their brand because they are so popular and successful. People love to see their strong personalities. This is why lifestyle vloggers like Casey Neistat and Colleen Ballinger have millions of followers each. It can be difficult to create a logo for your lifestyle vlog.īrands and YouTubers with distinctive characteristics are loved by audiences. It can be difficult to create a logo for your lifestyle video blog because your niche is so diverse. Lifestyle channelĪre you a lifestyle Youtuber? You are a lifestyle YouTuber if you share videos about your life, daily activities, current events, and engage with your viewers' interest in pop culture. It is not a good idea to copy other beauty channels' color palettes. You should ensure that your color palette is both easy to see and unique. Try out different color palettes to find the one that best suits your YouTube channel. They also contrast it with black to show their professionalism. Some beauty channels use pink to showcase their femininity or red to show off their boldness. You should choose a color palette that is appealing to your viewers, and it will depend on the personality of your YouTube channel. There are many colors and shades of beauty logo colors. You don't have to choose the most popular font, but one that is appealing to your audience and creates a positive impression for your brand. Many of the most well-known beauty YouTubers use only fonts for their logos.īe mindful of your viewers, regardless of the font you choose for your beauty channel. The most popular icons are lipstick, scissors and combs.Īn icon can be used in your YouTube logo to add your branding in a non-intrusive way. If you choose to use an icon on your channel, it must match the focus of your channel, such as skin-care or nails. Here are some ways to do it.Īlthough you don't have to use an icon or symbol in your brand logo for beauty, it can help with brand recognition. Your logo must be attractive enough to draw attention and make your brand synonymous with it. If You need a logo to represent your beauty channel on YouTube.
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Some space-based device-specific controls would be nice to have.Ī lot of the issues can be improved by the upcoming sliding sync, and I know vector.im isn't in a brilliant financial situation. I don't wish to have the same level of intrusiveness from all chats: for some, I want to see the notifications, for others I want to hear them, etc. I only recently discovered that Android could handle conversation-level notification granularity, and don't have anything similar on my other devices. I've seen multiple serious bugs that end up clearing the local DB, triggering an initial sync that lasts for more than 10 minutes. Additionally, the UI appears to be rendered at single-digit framerates. It might be a chrome bug, I'll report this. The web app fights with the browser to draw over the URL and tab bar. my SO experiences constant glitching with Element on Chrome on Macos. It now takes seconds to sync after opening instead of multiple minutes. I thought it was just the app, but it works much better on this new phone. The phone and most apps were fine, but Element was oh so sluggish compared to the others. experience was night and day when I switched from my resource-constrained Galaxy S4 with LineageOS 18.1 to a FP4. Though very nice improvements have been made lately, I can say from what I've seen and experienced that a lot of improvements can still be made: While my comment contains some criticism, I'm really excited for this new offering.Īs much as I like the third room concept (I like it, but didn't actually try it), I am wondering how much of a distraction it is for Matrix developers?Īs a datapoint, a good chunk of my social circles use Matrix, but they seem to incessantly complain about Element. If you open the inspector on any of the examples you'll see how many tile fetches it triggers per second. So the only thing to worry about is how Google showed us couple of years ago how relentless it starts to charge for a previously free service - the Google Maps Javascript API - after it sees that enough developers got technically invested into Google Maps. The Map Tiles API documentation does not contain a "Usage and Billing" section, which seems to imply that it is free to use, bound to the above mentioned limits. Rate limit is 12,000 queries per minute for the tile renderer. This is calculated as the sum of all requests for all applications using the credentials of the same project. Maximum 250,000 renderer’s tile requests per day. Maximum 300 root tileset queries per day. Maximum 6,000 queries per day, calculated as the sum of all requests for all applications using the credentials of the same project. The map can therefore be understood as a “storytelling stimulator” (Caquard). Map 1 provides a framework for a series of stories waiting to be told, and Map 2 reframes those stories as a series of reflections on our olfactory-stimulated memories of place. Regarding collective narrative as a narrative written and shared by many people, this work uses a series of smells as the shared experience and the map’s conventions to stimulate memory and imagination. The overall process can be summarised thus:īrief Contextualizations: Art Cartography as Collective Narrative: The secondary stage of this project (Map 2) was to find a way to communicate and present the sticky notes resulting from the initial exhibition. I had a limited time frame of fourteen days for research, development, design, and installation. The initial research was in response to a call for a small exhibition to showcase the range of MFA visual communication research projects at Edinburgh College of Art where I was studying. I discovered during the course of my research that these smell notes frequently form their own micro-narratives of smell perception. The works ask the viewer to ascribe their personal associations to the selected, representative scents for each of the cities, and to note individual smell associations on single sticky notes. As a creator of six smell maps, with a further two maps currently underway, I exhibit the interactive, participatory installations internationally in galleries, museums, festivals, and visitor centres. I investigate how smell, in particular, can be used to comprehend our immediate environment and to generate memories of a specific place. I theorised that this would open up a new world where cities worldwide are linked through individual experiences rekindled through smell memories, creating a new map.Īs a sensory researcher and designer, I am interested in communicating links between sensory perception and urban environments in the form of sensory maps, stimulating and provoking emotional connections with place, inspired by the more playful approaches of psychogeography. Would the sense of smell conjure involuntary memories, relocating sniffers from one place to another location altogether? I asked the visitors to wander through a variety of city locations by smelling one or more smells that I captured and bottled. I selected the map as a theoretical psychogeography framework and as a visual device to geo-spatially locate a collection of odours. In 2010 I created a virtual dérive of bottled smells and a traditional map (with a deliberately limited visual lexicon) and then elicited and recorded visitor responses (Map 1). This note investigates the role of smell in our city experience with a specific focus on personal links formed among smell, location, and emotion. Human olfactory experience and perception of cities is often shared at the source of the smell but diverse in the places to which those smells transport the smeller. You can use Chromecast dongle, this device is connected to your TV using HDMI port and it is very simple to set it up to connect to your homw network then you can cast your PC screen to TV using proper apps. This standard is natively supported in Windows® 10 and Windows 8.1 and may be used to accomplish wireless display without additional software. Microsoft has confirmed that this is a problem in the Microsoft products that are listed in the 'Applies to' section. Intel WiDi was based on the Miracast standard for wireless display capabilities. Maria's skills also attract the attention of her old boyfriend Luis (Christopher 'War' Martinez), the charismatic leader of the award winning 718 dance crew, who hopes to lure her back into the street world she is trying to escape. Seeing a chance at creating a new and meaningful life, Maria pours her heart and soul into dance and begins training the HDs to compete on the television dance competition 'Dance or Die' which means going up against the 718 and Luis. No, your computer hardware is NOT compatible with Miracast. 2919355 Windows RT 8.1, Windows 8.1, and Windows Server 2012 R2 Update April, 2014. "After a brush with the law, spirited 17-year-old Maria (Kat Graham) returns to her gritty Bronx roots to rebuild her life with nothing but a talent for street dance and a burning ambition to prove herself. Out at a local dance club Maria's killer moves catch the eye of Brandon (Randy Wayne), a rec center volunteer, who invites her to help him transform a group of gifted but indisciplined dancers called the HD's. Dance film, sequel to 2003's Honey, that sees a troubled 17-year old dancer returning to the Bronx to coach a rec center dance troupe as they prepare to enter and compete in a TV dance show. In 1994, the DSM-IV classified PTSD under Anxiety Disorders. The criteria reflected the view that the symptoms occurred as a result of exposure to a significant stressor, and not due the individual. In the third revision (DSM III, APS, 1980) following the Vietnam War, the term PTSD was introduced for the first time. 48), and the etiology of the symptoms was linked the individual, not the event, as it was believed that “if the patient has good adaptive capacity his symptoms usually recede as the stress diminishes.” (Schubert & Lee, 2009) The DSM-II referred to PTSD-like symptoms as “transient situational disturbance” (p. In 1968 the second DSM was published (DSM-II APA, 1968) and the diagnosis of gross stress reaction was omitted. The main causal factor was listed as stressful environmental events, such as natural disasters or war. American Psychiatric Association, 1952), and what is now known as PTSD was labelled “gross stress reaction”. The first Diagnostic and Statistical Manual of Mental Disorders was published in 1952 (DSM-I 1st ed. John Erichsen also went on to note that it was not a phenomenon exclusive to railway collisions “I will not confine my illustrations to cases drawn from railway accidents only, but will show you that precisely the same effects may result from other and more ordinary injuries of civil life.” (pg 22 Erichsen 1867). Railway collisions were relatively common for the time. One of the earliest recorded scientific presentations about the phenomenon we now know as PTSD was in 1867 where the phenomenon was referred to as ‘Railway Spine’ and outlined as something “sustained by passengers who have been subjected to the violent shock of a railway collision” (pg2 Erichsen 1867). Long before WW1, it is believed that Shakespeare provided historical descriptions of PTSD in his writing, which dates to approximately 1597 (Shay 1994). What follows is a brief summary of the changes in the formal psychiatric diagnostic criteria, although long before these criteria existed, people recognised these symptoms as evidenced by how the term shell-shock entered the vernacular following WW1. These differences reflect factors such as socio-cultural and political changes, as well as developments in evidence-based understanding of trauma and its sequalae. Specify if: Chronic: if duration of symptoms is 3 months or more.The diagnosis of PTSD has seen several iterations over the decades. Specify if: Acute: if duration of symptoms is less than 3 months. The disturbance causes clinically significant distress or impairment in relationships with parents, sibling, peers, or other caregivers or with school behavior. The disturbance causes clinically significant distress or impairment in social, occupational, or other important areas of functioning.į. Duration of the disturbance is more than 1 month.į. Duration of the disturbance (symptoms in criteria B, C, and D) is more than 1 month.Į. Irritable behavior and angry outbursts (with little or no provocation) typically expressed as verbal or physical aggression toward people or objects (including extreme temper tantrums). Sleep disturbance (e.g., difficulty falling or staying asleep or restless sleep). Alterations in arousal and reactivity associated with the traumatic event(s), beginning or worsening after the traumatic event(s) occurred, as evidence by two (or more) of the following: 5. Persistent symptoms of increased arousal (not present before the trauma), as indicated by two or more of the following:ĭ. Persistent reduction in expression of positive emotions.ĭ. Markedly diminished interest or participation in significant activities, including constriction play 5. Substantially increased frequency of negative emotional states (e.g., fear, guilt, sadness, shame, confusion). 2.Īvoidance of or efforts to avoid people, conversations, or interpersonal situations that arouse recollections of the traumatic event(s).Negative alterations in cognitions 3. One or more of the following symptoms, representing either persistent avoidance of stimuli associated with the traumatic event(s), or negative alterations in cognitions and mood associated with the traumatic event, must be present, beginning after the traumatic event(s) or worsening after the event.Īvoidance of or efforts to avoid places or physical reminders that arouse recollections of the traumatic event(s). Sense of a foreshortened future (e.g., does not expect to have a career, marriage, children, or a normal life span).Ĭ. For most adults, the BMI range is between 18.5 and 24.9. The result helps you understand if your BMI corresponds to a healthy range according to the corresponding BMI range. The BMI tool takes your weight and divides the figure by the square of your height. Typically, the BMI calculator measures your body mass (fat in the body, including muscles and bones) with your weight and height. To know if you fall in the healthy weight range or not, you can use a BMI calculator to solve the confusion.Ī BMI calculator or a body mass index calculator is an offline and online tool that correlates your body weight with your height to assess if your weight is right for your stature. Moreover, the ideal weight could be different for a man and woman of the same height. However, the shorter person who has the same weight range is more likely to be overweight or obese. This is because the weight of the taller person is more appropriate as per the height. In all likelihood, the body mass index of the taller person will be on the healthier side than the one who is short in stature. If your BMI is outside the healthy range, your health risks increase significantly.įor example, a tall and short person might have the same weight but different BMIs. BMI can help assess if your weight is accurate for your body height and know your weight category- underweight, healthy weight, overweight or obesity. BMI is widely used to indicate the fat content in your body. Visit your GP if you'd like to start a conversation about your health or weight.įor more tips, tools and free programs that support healthy eating and active living for you and your family, visit the Healthy Eating Active Living website.Body Mass Index or BMI is a measure of the body mass and size by combining your weight and height. If you're above a healthy weight, you may be at increased risk of health problems including diabetes, heart disease and certain cancers.ĭoctors and other health care professionals are the best people to determine whether your weight is healthy. Setting small, specific goals for getting active is the quickest way to change your habits and maintain a healthy weight. Maintaining a healthy weight has many short and long-term benefits and can help you stay healthier as you grow older. Always seek the guidance of your GP or other qualified health professional with any questions about your health or your pregnancy. This is just a guide and should not replace professional health advice. If you're pregnant, you can use the Pregnancy Weight Gain Calculator to see what your healthy weight gain range during your pregnancy is. The amount of weight you gain during pregnancy can affect your own health as well as your baby's health and development. PregnancyĪs your baby grows, it is normal and healthy to gradually gain weight during your pregnancy. Visit your GP to discuss yours or your child's health and weight. For children 2 to 18 years old, use theĬhildren's Weight Status Calculator This is just a guide and should not replace professional health advice. Children and teenagers need to grow, and staying within a certain weight range for their age and gender can help support healthy development. It's not always easy to tell if a child is a healthy weight for their age and height just by looking at them. It measures weight in relation to height to determine BMI category: Health professionals commonly measure Body Mass Index (BMI) to assess whether patients are a healthy weight. Celestial Spheres includes unique, multi-sampled Nord Lead 2 patches that were painstakingly recorded, note by note, and key mapped key by key. The electronica, energy side, likewise has the exact same qualities, in addition to a special treat for Halion 6. Purchase Celestial Spheres (Atmospheres) Library for Halion: 29.99$ĮLECTRONICA LIBRARY (Leads, Plucks, Basses, Keys, Formant Choirs) As a bonus, a few dozen instruments use Nord Lead 2 sound sources for some keys and choirs. The patches themselves are diverse, some are simple and elegant, while being highly unique, while others are vastly more complex and evolving - layering many multi-samples with either/or granular or wavetable engines in addition to many layers of live synthesis. Nearly every patch also blends in live synthesis to keep things even more alive and interesting, using any of Halion's outstanding synth engines: Auron, Trium, Skylab, Voltage and Anima. They were then tastefully programmed and enhanced in Halion with added filters, effects and macros. The multi-samples were painstakingly key mapped spanning on average about every 4 or 5 keys, though in some situations, every key is mapped. The Atmospheres Library is the Ambient, Cinematic Side of Celestial Spheres and tastefully infuses nearly every type of sound engine within Halion 6, the multi-sampler, granular, wavetable, and synth engines, using unique and original sound sources. Purchase Celestial Spheres (Full) Library for Halion: $28.00ĪTMOSPHERES LIBRARY (Pads, Soundscapes, Keys, Musical FX, Synth Choirs) First choose which platform you will be using and then you have the option to narrow it down by category, if you wish. More information is available on each libraries page. The Celestial Spheres Library may be divided and purchased by type, for your convenience, in 4 ways. Optonal: Celstial Spheres Library Divided By Type In addition, Celestial Spheres also includes original Nord Lead 2 multi-samples in addition to many dozens of unique, completely synthesized Halion instruments. Both are hybrid sound libraries containing original multi sampled material that is either layered with other multi-samples, or fused with live synthesis using any of Halion's excellent synthesis methods - granular, wavetable, or VA. The Atmospheres Library (Pads, Soundscapes, Keys, Musical FX, Synth Choirs) and the Electronica Library (Leads, Plucks, Basses, Keys, Formant Choirs). Furthermore, the presets can be divided into two categories and can be purchased separately. The Celestial Spheres Sound Library contains 438 programs/presets using pure synthesis and multi-samples (including original Nord 2 Lead samples). It was designed to be inclusive and cater to just about any contemporary productions, with many dozens of highly unique, quality presets for each category. Whether your crafting epic soundtracks or other ambient scenery and your productions need Soundscapes, Lush Evolving Sounds, Atmospheric Pads and Keys, or your producing the latest contemporary electronic music in need of of seriously deep and solid snappy basses, or highly unique contemporary leads or plucks, Celestial Spheres has you covered. That said, Celestial Spheres for Steinberg's Halion 6 is full fledged sound library, covering a diverse assortment of patch categories - from ambient soundscapes to modern leads, plucks, and basses. Celestial Spheres is full of evolving sounds, whether they are keyscapes punctuated with delicate attack transients, fusing beautiful, otherwordly exotic alien keys layered with back drops of moving musical textures, or full blown lush ambient soundscapes suitable for epic soundtracks covering all the majestic electronic and beautiful ambient realms while also ready to infuse evocative trance scenes or euphonic color into modern productions. Lush, evolving, deep movement that is beautiful in its simplicity and complexity - that is the theme of our first venture in sound libraries for Halion. Celestial Spheres - Heavenly Bodies in Motion. I turned, then, to the task of logging into LastPass. But there was, again, some prospect that I had saved these materials in LastPass. It is also possible that these codes and keys were saved on, and then later inadvertently deleted from, the phone. It is possible that I did not understand or was somehow interrupted before I could fully digest whatever they were telling me when I first started using Authy. When I got Authy, I was still very new to 2FA. I have to assume Authy supplied or at least made them available somewhere. Here, again, it was weird that I had no such codes or keys. That put me into a help page telling me that, as an alternative, I could “Use the recovery codes provided by the service(s) during 2FA setup to regain access to your account” or I could “Re-add your tokens with the secret keys provided by the service(s) upon enabling 2FA.” I tried Authy’s “Forgot your password?” option. That, in the postwar generation’s jargon, was a Catch-22. So now it seemed that I needed the Authy backup password that I had saved in LastPass, if I wanted to log into Authy and I needed Authy to produce the 2FA code required to log into LastPass. I suspected I had saved it in LastPass, because there was no note of it anywhere else, and it was not something I would have left just lying around. Normally, I would save a record of a password. Unfortunately, I had no record of any Authy backup password. That was the first time it had done that. Click on any account to decrypt it.” Naturally, I chose LastPass. That screen said, “All your accounts are encrypted. That worked: it put me through to the Authy screen. I hit the phone’s Back button and tried the next option: SMS message. (This was the first of several points at which my security plan lacked alternatives that might have resolved the situation.) So that didn’t seem to work. I didn’t have Authy installed anywhere else. But there didn’t seem to be any way, there, of approving the phone. That was easy: I already had the Authy app open on my Windows 10 desktop computer. Open the Authy app on any of your other devices to approve this device. I chose “Use existing device.” It said this: When I restored that app to the phone, it asked for a way to verify my account. I think the first thing that went wrong was that I couldn’t use Authy. Getting it back up to speed shouldn’t have been a big deal. There are stories of real ordeals, where people make huge efforts to seek or replace the lost or stolen phones that they have built their lives around. I only really use it for calls, the occasional message, and Authy. Let me hasten to say that I am not a person who lives and dies by his phone. It would be safe to say that there have been consequences I did not anticipate. I am not sure where the bad news first began to hit. That’s where the pessimistic side of the story began. A reset, I believed, would clear all that out. It seemed to be using a lot of storage space for no clear reason. It was using a lot of battery, probably due to apps I didn’t need. I’d had the phone for 18 months and had never done a reset. But a reset still seemed like a good idea. There may have been a setting, somewhere deep within the phone, that would have solved that problem. It looked like the phone was malfunctioning. Someone would call, and there seemed to be no way to pick it up. It seemed simple enough: the phone wasn’t letting me answer phone calls. In this case, the first thing that went wrong was that I did a factory reset on my phone. The question now was, would LastPass and Authy be part of the solution, or part of the problem? Much of what went wrong was my own fault. Then there is the pessimistic half, where something goes wrong. That is the optimistic half of the story. Not super-simple, but not bad a person could catch on to it soon enough. To use LastPass, you need a code from the authenticator, and Authy provides that. You enter your passwords, and LastPass manages them. So when I chose LastPass and Authy, I seemed to be choosing wisely. They say, and I believe, that it’s a good idea to use a password manager and they say, and again I believe, that LastPass is one of the better ones. And they also say Authy is the best, or at least one of the best, two-factor (2FA) or multifactor authentication (MFA) tools available. All latest, top, new, hit & best MS Subbulakshmi songs list available on both Hungama Music app and. 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